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Composition: Ensemble
Play Time: 1:30 - 2:10
Unique Notes: 6 - 10
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edward.maurath
HWV1A3N11 - Gönne nach den Thränengüssen mir
edward.maurath
1:31 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 17 35 6 5 100%
Bass 15 2 3 5 100%
Bassoon Continuo Bass 14 0 3 5 100%
Bass
as Raymondo		 Bass 17 0 5 8 75%
Oboe Treble 8 0 2 3 71%
 
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
HWV8A1N4 - "Son di Mirtillo!" recitativo secco
edward.maurath
1:47 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 12 0 4 4 100%
Amarilli 14 0 4 5 68%
Mirtillo 10 0 3 3 50%
Hpsi Treble 14 17 4 2 46%
Bass 9 5 2 4 46%
Harp Treble 14 12 4 1 43%
Bass 12 10 3 2 43%
Theorbo Bass 12 6 5 2 21%
Lute Treble 13 10 4 3 18%
 
HWV7A2N10 - "Lascia ch'io pianga" in F Major (Almirena)
edward.maurath
1:54 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 44 5 4 100%
Bass 16 0 2 5 100%
Cello Bass 15 0 2 5 100%
Almirena 12 0 3 6 81%
Bass Bass 10 0 0 5 71%
Viola 10 0 1 5 71%
Violin
I		 Treble 10 0 1 5 71%
Violin
II		 Treble 9 0 1 5 71%
Violoncellos Bass 10 0 0 5 71%
 
HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
Violin
1		 Treble 10 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Silvio 11 0 2 6 77%
Contrabasses Bass 14 0 2 4 69%
Violoncellos Bass 14 0 2 4 69%
 
BWV245N11 - Wer hat dich so geschlagen - Chorale in A Major
edward.maurath
1:36 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 12 7 2 4 100%
Bass 16 1 5 5 100%
Organo Continuo Treble 10 2 1 5 100%
Bass 16 0 5 5 100%
Alti 10 0 1 5 100%
Bassi Bass 16 0 5 5 100%
Bassono Grosso Continuo Bass 16 0 5 5 100%
Bassoon Continuo Bass 16 0 5 5 100%
Contrabassi Continuo Bass 16 0 5 5 100%
Flauto Traverso Treble 7 0 0 5 100%
Oboe Treble 7 0 0 5 100%
Soprani 7 0 0 5 100%
Tenori Treble 9 0 2 4 100%
Viola 10 0 1 5 100%
Violin 1 Treble 7 0 0 5 100%
Violin 2 Treble 10 0 1 5 100%
Violoncelli Continuo Bass 16 0 5 5 100%
 
"Quel ch'il cielo" from "Il Pastor Fido," HWV 8a, 1712
edward.maurath
1:31 Est. Play
Time
55 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
View all 15 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 14 0 2 3 100%
10 0 1 3 100%
Harpsichord Treble 10 0 1 3 100%
Bass 14 0 2 3 100%
Oboe Treble 13 0 3 7 100%
Treble 12 0 3 5 100%
Contrabasses Bass 14 0 2 3 100%
Viola 10 0 1 3 100%
Violoncello Bass 14 0 2 3 100%
Vn
1		 Treble 13 0 3 7 100%
Vn
2		 Treble 12 0 3 5 100%
Bass Bass 12 0 2 3 93%
Soprano 12 0 3 6 93%
Tenor 11 0 2 3 93%
Alto 12 0 3 4 87%